
3 FILMS BASED ON THE WORKS OF FYODOR DOSTOYEVSKY
Fyodor Dostoyevsky is a singular artistic voice in Russian Literature!
Fyodor Dostoyevsky is a name associated with existentialism and is the foremost proponent of Russian literature. Dostoyevsky has influenced countless students of philosophy and literature alike. This was the same for other forms of media as well, there have been many Adaptations of Dostoyevskys’ work, sometimes they are direct adaptations and other times indirect adaptations where the story is inspired by his novel but the socio-political context is totally different.
Fyodor Dostoyevskys work has a depth and magnitude that will require a lot of research and deep investigation to fully grasp. This list consists of many of his novels, and the works are curated from all corners of the world. Each of these adaptations are carefully and spread out according to the country and impact of the particular adaptations.
Norte the end of History
An adaptation of perhaps one of the most well-known novels of Dostoyevsky, Crime and Punishment, Norte the end of History, is directed by one of the most prolific Asian artists hailing from the Philippines, Lav Diaz. The feature almost feels like the novel itself as the runtime is well beyond three hours and the weight of the plot starts taking shape little by little, the mystery and the implications in the original texts are never ignored by the maker. Lav Diaz is known for his long form features- some of his works are over eight hours long- this structure benefits this adaptation as the length of the feature adds to the effect of the epic nature and scope of Dostoyevsky's original text, without watering down any of the deep philosophical hypotheses of the original text.
Hakuchi
Another Asian adaptation by one of the most well-known faces of Japanese Cinema behind the camera, Akira Kurosawa, Hakuchi the original Japanese title is the adaptation of the Idiot by Fyodor Dostoyevsky. The titular characters were also played by stalwarts of Japanese Cinema such as Setsuko Hara and Toshiro Mifune this particular feature adaptation of The idiot is perhaps the best ever put on celluloid as the performance and all the technical aspects make it a well-rounded adaption of the original text.